An edition of music, like anything else, is a product of its own time. During the 1980s, guitarists of my generation were starting to become aware of stylistic concerns in the interpretation of early music. There was a movement towards stylistic authenticity, an attempt to re-discover the original intentions of early composers and recreate the aesthetic elements that were appropriate to their music. (Many style-conscious players today no longer think of being "authentic" - an unattainable concept - and prefer, instead, to use the term "historically informed.") This growing movement is what first prompted me to research the lute music of Bach and to develop my own edition of it. I tried to find performance solutions on the guitar that were as faithful as possible to the original music and to clearly delineate the necessary editorial alterations.
In particular, I attempted to preserve the integrity and independence of Bach's original voicing. I believe that in this revised edition I have been better able to integrate the idiomatic qualities and limitations of the guitar into my transcriptions while still being faithful to the spirit and intent of the original. My goal is to blend scholarship with practical performance solutions for the guitar.