An Interview with Frank KoonceBy This interview of Frank Koonce with Tiaraju Aronovich was for a Brazilian magazine. The Koshkin ConnectionBy This interview of Frank Koonce with COLIN COOPER discusses the fruitful association between Prof. Koonce and Nikita Koshkin, as well as the difficulties in the early years. Interview: Second Edition of Solo Lute Works of JS BachBy An interview with Frank Koonce regarding his 2nd edition of the Solo Lute Works of JS Bach Left Hand Movement: A Bag Full of Tricks, Part IBy Part I of this article by Frank Koonce discusses Aim-Directed Movement, Pivot and Guide Fingers, Weight Transfer, Inverted Fingerings, Extensions, and Shifts Left Hand Movement: A Bag Full of Tricks, Part IIBy Part II of the article by Frank Koonce discusses various types of Barres The Solo Music of Nikita KoshkinBy The following accounts of some of Koshkin's music come from interviews with the composer conducted by Cain Budds, DMA candidate in Guitar at Arizona State University. Excerpts have also been taken from the liner notes of the two CDs produced by Soundset Recordings, "The Prince's Toys" (text by Kenneth LaFave) and "The Well Tempered Koshkin" (text by John W. Duarte). Articulation, Texture, and VoicingBy An article by Frank Koonce
This interview of Frank Koonce with COLIN COOPER discusses the fruitful association between Prof. Koonce and Nikita Koshkin, as well as the difficulties in the early years.
Interview: Second Edition of Solo Lute Works of JS BachBy An interview with Frank Koonce regarding his 2nd edition of the Solo Lute Works of JS Bach Left Hand Movement: A Bag Full of Tricks, Part IBy Part I of this article by Frank Koonce discusses Aim-Directed Movement, Pivot and Guide Fingers, Weight Transfer, Inverted Fingerings, Extensions, and Shifts Left Hand Movement: A Bag Full of Tricks, Part IIBy Part II of the article by Frank Koonce discusses various types of Barres The Solo Music of Nikita KoshkinBy The following accounts of some of Koshkin's music come from interviews with the composer conducted by Cain Budds, DMA candidate in Guitar at Arizona State University. Excerpts have also been taken from the liner notes of the two CDs produced by Soundset Recordings, "The Prince's Toys" (text by Kenneth LaFave) and "The Well Tempered Koshkin" (text by John W. Duarte). Articulation, Texture, and VoicingBy An article by Frank Koonce
Part I of this article by Frank Koonce discusses Aim-Directed Movement, Pivot and Guide Fingers, Weight Transfer, Inverted Fingerings, Extensions, and Shifts
Left Hand Movement: A Bag Full of Tricks, Part IIBy Part II of the article by Frank Koonce discusses various types of Barres The Solo Music of Nikita KoshkinBy The following accounts of some of Koshkin's music come from interviews with the composer conducted by Cain Budds, DMA candidate in Guitar at Arizona State University. Excerpts have also been taken from the liner notes of the two CDs produced by Soundset Recordings, "The Prince's Toys" (text by Kenneth LaFave) and "The Well Tempered Koshkin" (text by John W. Duarte). Articulation, Texture, and VoicingBy An article by Frank Koonce
The following accounts of some of Koshkin's music come from interviews with the composer conducted by Cain Budds, DMA candidate in Guitar at Arizona State University. Excerpts have also been taken from the liner notes of the two CDs produced by Soundset Recordings, "The Prince's Toys" (text by Kenneth LaFave) and "The Well Tempered Koshkin" (text by John W. Duarte).